On tour

Des de la seva creació el 2004, Bach ha viscut un recorregut fascinant, siguent un espectacle que ha travessat el temps amb el cos de María Muñoz, adaptant-se als canvis físics de la coreògrafa i ballarina. Ara al 2026 es presenta en una nova versió especial i intimista, en què comparteix escena amb Pep Ramis, […]

La mà i els temps és un projecte d’investigació i creació que proposa una lectura crítica de quatre dècades de pràctica artística en l’àmbit de la dansa. Un nou solo de María Muñoz que neix del desig d’escoltar el que les mans guarden.

Bach is presented as a study of movement, look, rhythm, breathing and presence in relation to musicality.

A choral show with twenty-six performers on stage, ten dancers, a string quartet, four solo singers and a chamber choir, in the third piece of the Bach Project.

For the first time, MAL PELO takes on the stage and choreographic direction of a classical opera: ORFEO ed EURIDICE by C. W. Gluck. In 2025, José Luis Rivero, Artistic Director of the Auditorio de Tenerife, invites María Muñoz and Pep Ramis to assume the stage and choreographic direction of the opera Orfeo and Euridice, […]

  What do we leave in the palm of our hand to give to new generations? WE, us, a community that defines us as individuals? A sense of belonging, where? Across time and generations we continue to ask ourselves about our identity, our place, our future. Ours?

The new duet by María Muñoz and Pep Ramis is estructured as a triptych, where we can enter into the intimacy of each of the characters. They imagine each others, remember each other, search for each other and meet again at the end to continue wondering about the blue bird.

Dance, the voice of John Berger, our own texts or projections come together to make up this approach to the world of J.S. Bach.

Highlands is the show that closes the Bach Project, a scenic proposal where the J.S. Bach music dialogues with movement, text and audiovisuals. 

Pep Ramis’s solo piece. A journey full of variety, feeling and stimulation.

Based on the proposal of the Compañía Nacional de Teatro Clásico, Mal Pelo approaches the play “La vida es sueño” by Calderón de la Barca. An approach from the choreographic journey to the soul of Rosaura and her paradoxes.